

| Media Type | Topic | Year | Author | Keywords (multi-word terms in quotes) | |
| Bhatara, A., Quintin, E. M., & Levitin D. J. (In press). Musical ability and developmental disorders . Oxford Handbook of Intellectual Abilities, 2nd Edition. Oxford: Oxford University Press. | |
| In J. Burack, R. M. Hodapp, & E. Zigler (Eds.) -ID 85 | |
| Quintin, E. M., Bhatara, A., Poissant, H., Fombonne, E., & Levitin, D. J. (In press). Emotion perception in music in high-functioning adolescents with autism spectrum disorder. Journal of Autism and Developmental Disorders . Journal of Autism and Developmental Disorders. | |
| -ID 414 | |
| Bhatara, A., Tirovolas, A., Duan, L. M., Levy, B., & Levitin, D. J. (2011). Perception of emotional expression in musical performance . Journal of Experimental Psychology: Human Perception and Performance, 37(3), 921-934. | |
| -ID 412 | |
| Rentfrow, P. J., Goldberg, L. R., & Levitin, D. J. (2011). The Structure of Musical Preferences: A Five-Factor Model . Journal of Personality and Social Psychology, 100(6), 1139-1157. | |
| -ID 433 | |
| Abrams, D., Bhatara, A., Ryali, S., Balaban, E., Levitin, D. J., & Menon, V. (2010). Decoding temporal structure in music and speech relies on shared brain resources but elicits different fine-scale spatial patterns. . Cerebral Cortex. | |
| -ID 422 | |
| Bhatara, A. K., Quintin, E. M., Levy, B., Bellugi, U., Fombonne, E., & Levitin, D. J. (2010). Perception of emotion in musical performance in adolescents with autism spectrum disorders . Autism Research, 3, 214-225. | |
| -ID 420 | |
| Levitin, D. J. (2010). My first science fair . Perspectives in Psychological Science, 5(6), 628-631. | |
| -ID 423 | |
| Levitin, D. J. (2010). Why music moves us . Nature, 464, 834-835. | |
| -ID 424 | |
| Bhatara, A. K., Quintin, E. M., Heaton, P., Fombonne, E., & Levitin, D. J. (2009). The effects of music on social attribution in adolescents with autism spectrum disorders . Child Neuropsychology, 15(4), 375-396. | |
| -ID 390 | |
| Levitin, D. J. (2009). The neural correlates of temporal structure in music . Music and Medicine, 1, 9-13. | |
| -ID 400 | |
| Levitin, D. J. and Tirovolas, A. K. (2009). Current Advances in the Cognitive Neuroscience of Music . The Year in Cognitive Neuroscience 2009: Annals of the New York Academy of Sciences, 1156, 211-231. | |
| -ID 372 | |
| Levitin, D. J. and Tirovolas, A. K. (2009). Memory for musical tempo: Additional evidence that auditory memory is absolute . Music cognition and perception. In E. B. Goldstein (Ed.), Sage Encyclopedia of Perception (pp. 599-606). Thousand Oaks, CA: Sage Publications. | |
| -ID 404 | |
| Marshal, M. T., Hartshorn, M., Wanderley, M. M., & Levitin, D. J. (2009). Sensors Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation . Journal of New Music Research, 38(3), 241-253. | |
| -ID 405 | |
| Chapados, C. and Levitin, D. J. (2008). Cross-modal interactions in the experience of musical performances: physiological correlates. . Cognition, 108, 639-651. | |
| -ID 74 | |
| Kadis, J. and Levitin, D. J. (2008). How recordings are made II: Digital hard-disk-based recording . Audio Anecdotes III: Tools, Tips, and Techniques for Digital Audio (pp. 15-30). Natick, MA: A. K. Peters. | |
| -ID 75 | |
| Klemp, N., McDermott, R., Raley, J., Thibeault, M., Powell, K., & Levitin, D. J. (2008). Plans, Takes, and Mis-takes . Critical Social Studies, 1, 4-18. | |
| Support Files: 5 Spot Misterioso SF_Holiday-ID 76 | |
| Koulis, T., Ramsay, J. O., & Levitin D. J. (2008). From zero to sixty: Calibrating real-time responses . Psychometrika, 73(2), 321-339. | |
| -ID 77 | |
| Levitin, D. J. (2008). Absolute pitch: both a curse and a blessing . Music Meets Medicine, 124-133. | |
| Music Meets Medicine, Proceedings of the Signe and Ane Gyllenberg Foundation, Helsinki, Finland.-ID 78 | |
| Levitin, D. J. (2008). How modern recordings are made: Analog and digital tape-based recording . Audio Anecdotes III: Tools, Tips, and Techniques for Digital Audio (pp. 15-30). Natick, MA: A. K. Peters. | |
| -ID 79 | |
| Levitin, D. J. (2008). The World in Six Songs: How the Musical Brain Created Human Nature . New York: Dutton. | |
| -ID 80 | |
| Sridharan, D., Levitin, D. J., & Menon, V. (2008). A causal role for the right fronto-insular cortex in switching between executive-control and default-mode networks . Proceedings of the National Academy of Sciences, 105(34), 12569-12574. | |
| -ID 81 | |
| Levitin, D. J. (2007). My favorite thing: Why do we like the music we like? . The Jossey-Bass Reader on the Brain and Learning. | |
| -ID 208 | |
| Levitin, D. L. (2007). Music, Psychology of . Entry in the Darity's International Encycolpedia of Social Science, (pp. 345-346). MacMillan Library Reference. | |
| -ID 72 | |
| Levitin, D. L., Nuzzo, R. L., Vines, B. W., & Ramsay, J. O. (2007). Introduction to functional data analysis . Canadian Psychology, 48(3), 135-155. | |
| -ID 71 | |
| Sridharan, D., Levitin, D. J., Chafe, C. H., Berger, J., & Menon, V. (2007). Neural dynamics of event segmentation in music: Converging evidence for dissociable ventral and dorsal networks . Neuron, 55, 1-12. | |
| Support Files: Brain2.mov Brain2.wmv-ID 73 | |
| Langford, D. J., Crager, S. E., Shehzad, Z., Smith, S. B., Sotocinal, S. G., Levenstadt, J. S., Chanda, M. L., Levitin, D. J., & Mogil, J. S. (2006). Social modulation of pain as evidence for empathy in mice . Science, 312, 1967-1970. | |
| -ID 65 | |
| Levitin, D. J. (2006). Em busca da mente musical . Em busca da mente musical: Ensaios sobre os processos cognitivos em música - da percepção à produção, pp. 23-24. | |
| Portuguese-ID 67 | |
| Levitin, D. J. (2006). This is Your Brain on Music: The Science of a Human Obsession . New York: Dutton/Penguin. | |
| -ID 68 | |
| Levitin, D. J. and Bellugi, U. (2006). Rhythm, timbre and hyperacusis in Williams-Beuren syndrome . Williams-Beuren Syndrome: Research and Clinical Perspectives (pp. 343-358). The Johns Hopkins University Press. | |
| A chapter from the book Williams-Beuren Syndrome: Research and Clinical Perspectives.-ID 66 | |
| Mogil, J., Ritchie, J., Sotocinal, S. G., Smith, S. B., Croteau, S., Levitin, D. J., & Naumove, A. K. (2006). Screening for pain phenoypes: Analysis of three congenic mouse strains on a battery of nine nociceptive assays . Pain, 126, 24-34. | |
| -ID 69 | |
| Vines, B. W., Krumhansl, C. L., Wanderley, M. M., & Levitin, D. J. (2006). Cross-modal interactions in the perception of musical performance . Cognition, 101, 80-113. | |
| -ID 70 | |
| Guastavino, C., Katz, B., Polack, J. D., Levitin, D. J., & Dubois, D. (2005). Ecological validity of soundscape reproduction . Acustica, 91(2), 333-341. | |
| -ID 56 | |
| Levitin, D. J. (2005). Musical behavior in a neurogenetic developmental disorder: Evidence from Williams syndrome . Annals of the New York Academy of Sciences, 1060(27), 325-334. | |
| -ID 61 | |
| Levitin, D. J. and Menon, V. (2005). The neural locus of temporal structure and expectancies in music: Evidence from functional neuroimaging at 3 Tesla . Music Perception, 22(3), 563-575. | |
| -ID 58 | |
| Levitin, D. J. and Menon, V. (2005). Turorial on fMRI methods . Music Perception, 22(3), 556. | |
| -ID 59 | |
| Levitin, D. J. and Rogers, S. E. (2005). Absolute pitch: Perception, coding, and controversies . Trends in Cognitive Sciences, 9(1), 26-33. | |
| -ID 60 | |
| Levitin, D. J., Cole, K., Lincoln, A., & Bellugi, U. (2005). Aversion, awareness and attraction: Understanding hyperacusis in Williams syndrome . Journal of Child Psychiatry, Psychology and Allied Disciplines, 46(5), 514-523. | |
| -ID 57 | |
| Menon, V. and Levitin, D. J. (2005). The rewards of music listening: Response and physiological connectivity of the mesolimbic system . NeuroImage, 28(1), 175-184. | |
| -ID 62 | |
| Vines, B. W., Krumhansl, C. L., Wanderley, M. M., Dalca, I., & Levitin, D. J. (2005). Dimensions of emotion in expressive musical performance . Annals of the New York Academy of Sciences, 1060(27), 462-466. | |
| -ID 63 | |
| Vines, B. W., Nuzzo, R. L., & Levitin, D. J. (2005). Analyzing temporal dynamics in music: Differential calculus, physics, and functional data techniques . Music Perception, 23(2), 137-152. | |
| -ID 64 | |
| Levitin, D. J. (2004). Instrument (and vocal) recording tips and tricks . Audio Anecdotes (pp. 147-158). Natick, MA: A. K. Peters. | |
| This chapter appears in the book Audio Anecdotes.-ID 51 | |
| Levitin, D. J. (2004). L'Oerille Absolue . L'Année Psychologique, 104, 103-120. | |
| -ID 52 | |
| Levitin, D. J. (2004). The Rose Mary Woods/Nixon Tapes. Essay accompnanying N. Collins . London: Sonic Arts Network. | |
| -ID 53 | |
| Levitin, D. J. and Cuddy, L. L. (2004). Editorial: Introduction to the Angel of Death project . Music Perception, 22(2), 167-170. | |
| -ID 50 | |
| Levitin, D. J., Cole, K., Chiles, M., Lai, Z., Lincoln, A., & Bellugi, U. (2004). Characterizing the musical phenotype in individuals with Williams syndrome . Neuropsychology, 10(4), 223-247. | |
| -ID 49 | |
| Vines, B. W., Nuzzo, R. L., & Levitin, D. J. (2004). Functional data analysis: Techniques for exploring temporal processes in music . Proceedings of the 8th International Conference on Music Perception and Cognition (pp. 553-554). Evanston, IL. | |
| Powerpoint Slides-ID 54 | |
| Vines, B., Wanderley, M., Krumhansl, C., Nuzzo, R., & Levtin, D. J. (2004). Performance gestures of musicians: What structural and emotional information do they convey? . A. Camurri & G. Volpe (Eds.), Gesture-Based Communication in Human-Computer Interaction (pp. 468-478). New York: Springer-Verlag. | |
| See the video clips used in this experiment here.-ID 55 | |
| Levitin, D. J. (2003). Absolute pitch: Précis to an integrated review . Bulletin of Psychology and the Arts, 4(1), 17-19. | |
| -ID 48 | |
| Levitin, D. J. and Menon, V. (2003). Musical structure is processed in "language" areas of the brain: a possible role for Brodmann area 47 in temporal coherence . NeuroImage, 20, 2142-2152. | |
| -ID 46 | |
| Levitin, D. J. and Zatorre, R. J. (2003). On the nature of early music training and absolute pitch: A reply to Brown, Sachs, Cammuso, and Folstein . Music Perception, 21(1), 105-110. | |
| -ID 47 | |
| Levitin, D. J., Menon, V., Schmitt, J. E., Eliez, S., White, C., Glover, G., Korenberg, J. R., Bellugi, U., & Reiss, A. L. (2003). Neural correlates of auditory perception in Williams Syndrome: An fMRI study . NeuroImage, 18, 74-82. | |
| -ID 45 | |
| Kim, J. K. and Levitin, D. J. (2002). Configural processing in melody recognition . Canadian Acoustics, 30(3). | |
| -ID 41 | |
| Levitin, D. J., McAdams, S., & Adams, R. L. (2002). Control parameters for musical instruments: A foundation for new mappings of gesture to sound . Organised Sound, 7(2), 171-189. | |
| -ID 42 | |
| Menon, V., Levitin, D. J., Smith, B. K., Lembke, A., Krasnow, B. D., Glazer, D., Glober, G. H., & McAdams, S. (2002). Neural correlates of timbre change in harmonic sounds . NeuroImage, 17, 1742-1754. | |
| -ID 44 | |
| Shepard, R. N. and Levitin, D. J. (2002). Cognitive psychology and music . Foundations of Cognitive Psychology: Core Readings (pp. 503-514). Cambridge, MA: MIT Press. | |
| A chapter from "Foundations of Cognitive Psychology: Core Readings."-ID 206 | |
| Luu, P., Levitin, D. J., & Kelley, J. M. (2001). Consciousness: A preparatory and comparative process . Finding Consciousness in the Brain: A Neurocognitive Approach (pp. 243-270). Philiadelphia: John Benjamins. | |
| A chapter from the book Finding Consciousness in the Brain: A Neurocognitive Approach.-ID 39 | |
| Parncutt, R. and Levitin, D. J. (2001). Absolute Pitch . New Grove Dictionary of Music and Musicians (pp. 37-39). New York: St. Martins Press. | |
| A detailed definition of absolute pitch. It appears in The New Grove Dictionary of Music and Musicians.-ID 40 | |
| Levitin, D. J. (2000). In search of the musical mind . Cerebrum, 2(4), 1-24. | |
| -ID 38 | |
| Levitin, D. J., MacLean, K., Chu, L. Y., & Jensen, E. R. (2000). The perception of cross-modal simultaneity . International Journal of Computing and Anticipatory Systems, 323-329. | |
| -ID 37 | |
| Levitin, D. J. (1999). Absolute pitch: Self-reference and human memory . International Journal of Computing and Anticipatory Systems, 4, 255-266. | |
| -ID 32 | |
| Levitin, D. J. (1999). Experimental design in psychoacoustic research . Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics (pp. 299-328). Cambridge, MA: M.I.T. Press. | |
| A chapter from the book Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics. Click here to read a review.-ID 33 | |
| Levitin, D. J. (1999). Review of D. Deutsch, "The Psychology of Music" . Music Perception, 16(4), 495-506. | |
| -ID 34 | |
| Levitin, D. J. (1999). Review of R. Jourdain, "Music, The Brain, and Ecstasy" . Musicae Scientiae, 3(1), 122-126. | |
| -ID 35 | |
| Levitin, D. J. (1999). Tone deafness: Failures of musical anticipation and self-reference . International Journal of Computing and Anticipatory Systems, 4, 243-254. | |
| -ID 36 | |
| Levitin, D. J. (1999). Memory for musical attributes . Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics (pp. 209-227). Cambridge, MA: MIT Press. | |
| A chapter from the book Music, Cognition, and Computerized Sound: An Introduction to Psychoacoustics. Click here to read a review.-ID 197 | |
| Levitin, D. J. and Russell, G. S. (1999). Rao's Spacing Test . Encycolpedia of Statisitcal Sciences Update (Vol. 3, pp. 87-89). New York: Wiley. | |
| -ID 31 | |
| Olsen, E., Wolff, C., Verna, P., & Levitin, D. J. (1999). The Encyclopedia of Record Producers . New York: Billboard Books. | |
| Daniel Levitin wrote several entries as an associate editor in this book.-ID 205 | |
| Hintzman, D.L., Caulton, D.A., & Levitin, D. J. (1998). Retrieval dynamics in recognition and list discrimination; Further evidence of separate processes of familiarity and recall . Memory & Cognition, 26(3), 449-462. | |
| -ID 29 | |
| Levitin, D. J. and Bellugi, U. (1998). Musical abilities in individuals with Williams Syndrome . Music Perception, 15(4), 357-389. | |
| -ID 30 | |
| Posner, M. I. and Levitin, D. J. (1997). Imaging the Future . Mind and Brain Sciences in the 21st Century (pp. 91-102). Cambridge, MA: MIT Press. | |
| A chapter from the book Mind and Brain Sciences in the 21st Century.-ID 196 | |
| Levitin, D. J. (1996). Do absolute pitch possessers have categorical perception? . International Journal of Psychology, 31(3-4), 10. | |
| -ID 28 | |
| Levitin, D. J. and Cook, P. R. (1996). Memory for musical tempo: Additional evidence that auditory memory is absolute . Perception & Psychophysics, 58, 927-935. | |
| -ID 25 | |
| Russell, G. S. and Levitin, D. J. (1995). An expanded table of probability values for Rao's Spacing Test . Communications in Statistics: Simulation and Computation, 24(4), 879-888. | |
| -ID 24 | |
| Levitin, D. J. (1994). Absolute memory for musical pitch: Evidence from the production of learned melodies . Perception & Psychophysics, 56, 414-423. | |
| -ID 15 | |
| Levitin, D. J. (1994). Signal parent: Thomas Stockham and the birth of digital audio . Journal of the National Academy of Recording Arts and Sciences, 5(1), 7-24. | |
| Electrical engineer and a pioneer of digital audio technology, Tom Stockham, was interviewed by Dr. Levitin.-ID 16 | |
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Our laboratory is developing tools for analyzing time-series data, data that are autocorrelated, and data that derive from an underlying circular, spherical, or spatial distribution of values. As these tools become available, we will make them available here.
Circular Statistics
Circular histogram applet (written by Patrick Sabourin)
Hierarchical Factor Stuctures
Diagram-making application (written by Andrew Schaaf)
Functional Data Analysis
Jim Ramsay's Homepage